How The Birds Changed Tippi Hedren Forever
Universal Pictures By Debopriyaa Dutta/Aug. 12, 2022 12:08 pm EST
Daphne du Maurier’s unsettling horror story, “The Birds,” was the inspiration behind Alfred Hitchock’s 1963 horror-thriller film of the same name. Hitchcock effectively utilized the premise of violent, inexplicable bird attacks to underline the themes of love and violence and how the two were connected within the context of the narrative. The onus of bringing this unique story to life fell on Tippi Hedren, who plays Melanie, the protagonist whose presence becomes an inadvertent threat to those around her.
“The Birds” was Hedren’s screen debut and according to the actor, the process of working alongside Hitchcock was not a pleasant experience. Hitchcock himself had made the harsh proclamation that “all actors should be treated like cattle” — a statement that was corroborated by the way he treated Hedren while filming “The Birds” and 1964’s “Marnie.” Hedren details the alleged assault she had faced in her memoir, “Tippi,” explaining how Hitchcock’s obsession with her left her utterly traumatized. “Tippi” also delves into the details of filming the infamous attic scene in “The Birds,” in which her character Melanie is singled out and viciously attacked by a flock of homicidal birds. While the emotional distress of filming with mechanical birds (used throughout the film) was enough to make Hedren anxious, things took a darker turn when Hitchcock chose to use live birds to shoot the scene at the last minute.
An arbitrary, last-minute change
Universal Pictures
In a video about the making of “The Birds,” the cast and crew reveal that shots that featured flocks of birds heading towards Bodega Bay were real, although the ones used that were shown attacking the characters were mechanical in nature. More than $200,000 was spent on creating these mechanical creatures, and Hedren explains in her memoir that Hitchcock had repeatedly assured her that the attic scene would be filmed using the mechanical birds (via VogueUK):
“Hitchcock had outlined it for me in great detail. It would be just me and a flock of relentless, homicidal mechanical birds. I’d have no way to escape, and I would end up on the floor, completely terrorized and almost mortally wounded. He lied.”
Hedren explained that she was notified about the abrupt change in plans on the day of the shoot when assistant director James H. Brown told her that the mechanical birds were not working, and they were going to use live ones instead. Despite her understandable shock, Hedren “trusted the expertise” of bird trainer Ray Berwick, but also acknowledged that not even he could anticipate an animal’s next move and control it during a stressful scenario. As Hitchcock yelled “Action!” a flock of live ravens, doves, and pigeons were hurled at Hedren, an experience she describes as “brutal and ugly and relentless.” Filming lasted five days, and Hedren says she was “on the verge of collapse” on the final day of shooting. After one of the birds pecked too close to her eye, Hedren decided that she had had enough, and told Hitchcock that she was “done” and could not continue filming anymore. Although Hitchcock obliged, Hedren said that she was “unable to move, and [had] began sobbing from sheer exhaustion” brought about by the experience.
How The Birds Changed Tippi Hedren Forever
Universal Pictures
By Debopriyaa Dutta/Aug. 12, 2022 12:08 pm EST
Daphne du Maurier’s unsettling horror story, “The Birds,” was the inspiration behind Alfred Hitchock’s 1963 horror-thriller film of the same name. Hitchcock effectively utilized the premise of violent, inexplicable bird attacks to underline the themes of love and violence and how the two were connected within the context of the narrative. The onus of bringing this unique story to life fell on Tippi Hedren, who plays Melanie, the protagonist whose presence becomes an inadvertent threat to those around her.
“The Birds” was Hedren’s screen debut and according to the actor, the process of working alongside Hitchcock was not a pleasant experience. Hitchcock himself had made the harsh proclamation that “all actors should be treated like cattle” — a statement that was corroborated by the way he treated Hedren while filming “The Birds” and 1964’s “Marnie.” Hedren details the alleged assault she had faced in her memoir, “Tippi,” explaining how Hitchcock’s obsession with her left her utterly traumatized. “Tippi” also delves into the details of filming the infamous attic scene in “The Birds,” in which her character Melanie is singled out and viciously attacked by a flock of homicidal birds. While the emotional distress of filming with mechanical birds (used throughout the film) was enough to make Hedren anxious, things took a darker turn when Hitchcock chose to use live birds to shoot the scene at the last minute.
“The Birds” was Hedren’s screen debut and according to the actor, the process of working alongside Hitchcock was not a pleasant experience. Hitchcock himself had made the harsh proclamation that “all actors should be treated like cattle” — a statement that was corroborated by the way he treated Hedren while filming “The Birds” and 1964’s “Marnie.” Hedren details the alleged assault she had faced in her memoir, “Tippi,” explaining how Hitchcock’s obsession with her left her utterly traumatized.
“Tippi” also delves into the details of filming the infamous attic scene in “The Birds,” in which her character Melanie is singled out and viciously attacked by a flock of homicidal birds. While the emotional distress of filming with mechanical birds (used throughout the film) was enough to make Hedren anxious, things took a darker turn when Hitchcock chose to use live birds to shoot the scene at the last minute.
An arbitrary, last-minute change
In a video about the making of “The Birds,” the cast and crew reveal that shots that featured flocks of birds heading towards Bodega Bay were real, although the ones used that were shown attacking the characters were mechanical in nature. More than $200,000 was spent on creating these mechanical creatures, and Hedren explains in her memoir that Hitchcock had repeatedly assured her that the attic scene would be filmed using the mechanical birds (via VogueUK):
“Hitchcock had outlined it for me in great detail. It would be just me and a flock of relentless, homicidal mechanical birds. I’d have no way to escape, and I would end up on the floor, completely terrorized and almost mortally wounded. He lied.”
Hedren explained that she was notified about the abrupt change in plans on the day of the shoot when assistant director James H. Brown told her that the mechanical birds were not working, and they were going to use live ones instead. Despite her understandable shock, Hedren “trusted the expertise” of bird trainer Ray Berwick, but also acknowledged that not even he could anticipate an animal’s next move and control it during a stressful scenario. As Hitchcock yelled “Action!” a flock of live ravens, doves, and pigeons were hurled at Hedren, an experience she describes as “brutal and ugly and relentless.” Filming lasted five days, and Hedren says she was “on the verge of collapse” on the final day of shooting. After one of the birds pecked too close to her eye, Hedren decided that she had had enough, and told Hitchcock that she was “done” and could not continue filming anymore. Although Hitchcock obliged, Hedren said that she was “unable to move, and [had] began sobbing from sheer exhaustion” brought about by the experience.
Hedren explained that she was notified about the abrupt change in plans on the day of the shoot when assistant director James H. Brown told her that the mechanical birds were not working, and they were going to use live ones instead. Despite her understandable shock, Hedren “trusted the expertise” of bird trainer Ray Berwick, but also acknowledged that not even he could anticipate an animal’s next move and control it during a stressful scenario.
“Hitchcock had outlined it for me in great detail. It would be just me and a flock of relentless, homicidal mechanical birds. I’d have no way to escape, and I would end up on the floor, completely terrorized and almost mortally wounded. He lied.”
As Hitchcock yelled “Action!” a flock of live ravens, doves, and pigeons were hurled at Hedren, an experience she describes as “brutal and ugly and relentless.” Filming lasted five days, and Hedren says she was “on the verge of collapse” on the final day of shooting. After one of the birds pecked too close to her eye, Hedren decided that she had had enough, and told Hitchcock that she was “done” and could not continue filming anymore. Although Hitchcock obliged, Hedren said that she was “unable to move, and [had] began sobbing from sheer exhaustion” brought about by the experience.
How Hitchcock’s altered ending is a disservice to Hedren’s character
While it is unclear as to why Hitchcock chose to change the ending, the way he allegedly treated Hedren (both personally and professionally, and the two often intersect) altered her career and personal life forever. Although Hitchcock is undoubtedly a master of his craft, pushing actors to do their best while respecting their boundaries should not be a mutually exclusive experience. Abuse is abuse, and genius should never be a shield used to deflect valid criticisms against the greatest artists, including Hitchcock.
